Bubu Bookfactory, Mönchaltorf
Basler Buchbinder Verein, Basel
Raiffeisen Schweiz AG
Peyer Graphic AG, Lengnau
Winter & Company AG, Basel
Schmedt GmbH & Co, KG, Hamburg
Fischer Papier, St. Gallen
Buchbinderei Grollimund AG, Reinach
Wolfau Druck AG, Weinfelden
KAPAG Karton + Papier AG, Muhen
Renfer AG Buchbinderei, Dübendorf
Buchbinderei Scherrer AG, Urdorf
Gramag Grafische Maschinen AG, Reiden
Chromos AG, Dielsdorf
Buchbinderei E. Keller AG, Wetzikon
Suzanne Schmollgruber is the school director of the Centro del Bel Libro Ascona. Her responsibilities include teaching courses, coordinating guest instructors and overseeing the continued development of the program. Thanks to her broad international experiences and contacts, she is always able to bring new impulse to the department of Bookbinding and Design. Suzanne Schmollgruber trained as a hand bookbinder in Lausanne and Sion from 1988 until 1992. In 1992/1993 she attended a year long advanced training program at the CBL under the direction of Edwin Heim. Between 1994 and 2007 she continued her advanced training in different countries with other well known professionals such as: Hedi Kyle, Peter Aegerter, Jean-Luc Honegger, Suen Evrard, Carmencho Arregui and Pamela Moore. From 1993 until 1996 she worked as a hand bookbinder with Rolf Bommer in Basel and at the Basel Paper Mill Museum for paper, writing and printing. From 1996 until 2005 she worked in Barcelona as a free-lance bookbinder running her own workshop. During that time she also taught courses in her studio and at schools throughout Spain. In 2005 she moved to Milan, Italy where she continued her free-lance work as a fine binder and taught nationally and internationally. As the director of the CBL, Suzanne travels worldwide to participate in fairs and exhibitions and as a guest lecturer.
Professional Training, Career: 1989 – 1993 Apprentice bookbinder at MacDermott and Chant Ltd., London. 1995 – 2001 Part-time salesperson at Shepherds Bookbinders Ltd., London. 1998 – 2004 Part-time bookbinding tutor at The Institute, Hampstead Garden Suburb, London. 1999 Employed by the BBC to apprear in the programme „Watch“, demonstrating simple binding structures aimed at five to seven year old children. 1999 – 2002 Part-time bookbinding tutor at the Shepherd, Sangoski and Sutcliffe and Zaehnsdorf Bindery, London. 2000 – 2009 Bindery Manager at Bernard Quaritch Ltd., London. Current Position: 1997 – current Self employed bookbinder. 2003 – current Part-time bookbinding tutor, The City Literary Institute, London. 2003 – current Part-time bookbinding tutor, West Dean College, Chichester. 2009 – current Partner of Benchmark Bindery, London. Area of Speciality: "My work is inspired by the nature oft he materials I use in bookbinding, and, I am a minimalist at heart. Responding tot he text, I use the materials to create a sensitive, bstract expression of the narrative content.". Further Information: 1994 – current, several exhibitions in London, Newcastle, Bogotà, Oxford, Lyon, Paris. Several publications at „The New Bookbinder“, „Designer Bookbinder“ and Crowood Press.
Professional Training, career: Apprenticeship in actual bookbinding in Geneva - 1991 – Diploma in bookbinding at the National High school of visual arts Cambre in Brussels - Several further professional improvements in bookbinding, book and paper in general (calligraphic designs, engraving, conservation, pop-up,…) - Since 1991, freelancer in bookbinding, book and paper design - Teacher in bookbinding and book and paper design at the National High school of visual arts Cambre, at the Atelier du livre in Mariemont and at the Library Wittockiana. Current Position: Timesharing between creating of book and paper for special orders or institutions and teaching. Area of Speciality: Bookbinding, technical innovation, pop-up. Further Information: 2010/2011, scholarship at Atelier du livre, Mariemont (B) for researches in the creative bookbinding.
Professional Training, Career: 1981-1986 Education in art bookbinding in Heidelberg and Hamburg, further education at the centro del bel libro in Ascona, graduation of the school for master bookbinders at the Academy of Graphic Arts in Munich. 1986-1994 Book- and graphic restorer at the Badische Landesbibliothek in Karlsruhe and in her own workshop for book- and graphic restoration. 1994-1998 Head of the workshop of the department for book and paper conservation at the State Accademy of Art and Design in Stuttgart. 1999-2001 Master Study at the Konservatorskolen at the Royal Danish Academy of fine Arts in Copenhagen, Danmark, with the Master of Science in conservation. Current Position: Since 1998, free-lance conservator with own workshop as a graduated restorer for book and graphic, paper, leather, parchment. Area of Speciality: Restoration and conservation of wooden board bindings, parchment manuscripts and seals, graphic stamps and hand drawings; teaching assignments in „history of the book and bookbinding techniques“.
Professional Training, career: 5 years of studies at the School of Art Strasburg (Ecole des arts decoratifs), speciality Illustration, with diploma - Diploma in bookbinding - One year further education and training in bookbinding and restauration at the centro del bel libro ascona - Professional experience in Germany and England. Current Position: Independent Bookbinder in London, www.elbel-libro.com. Area of Speciality: Constructions of books - Design of product.
Professional Training, Career 1986-1989 Bookbinder apprenticeship at University bindery Kahrer, Innsbruck 1994 Examination for the diploma 1999 Further professional training at centro del bel libro ascona 1999 Academy formative crafts, Aachen: Jeanette Mc Grath: 2000-2010 Further professional training at cbl, in Mainz, Frankfurt, Offenbach Current Position since 2000 Own bookbinding workshop in Innsbruck since 2011 Agricultural lease; Obstwiese Arzl since 2011 Austrian juror of the International Youth Contest for Bookbinders of Germany, Austria and Switzerland (JLW); Federal Apprentice Supervisor Area of Speciality Leather processing and specific works Weitere Angaben 1995-2007 Specialist teacher of bookbinding at the Tiroler Fachberufsschule Innsbruck 2011 Publication of the exhibition catalog for the 11th JLW since 2012 Annual organization and design of the exhibitions as well as awards in Austria for the JLW 2012 Lecturer; Master’s course at Gutenbergschule Bozen, Italy since 2013 Teaching; project week; School of Design, St. Gallen, Switzerland 2014 Publication of the exhibition catalog for the 14th JLW 2002-2006 Various awards and prizes at international competitions in Italy, Germany, Switzerland and Austria 2002-2010 Various group exhibitions in Italy, Belgium, Germany and Switzerland
Professional Training, career: - 1974 BFA in Film, York University, Toronto - 1980 he began studying traditional leather bookbinding for three years while working on his MFA in photography - 1983 MFA in photography, The Visual Studies Workshop, Rochester , NY, Conferred by S.U.N.Y., Buffalo, NY - 1984 he began working as a carpenter in New York City. Current Position: His work explores the book itself, a seemingly antiquated Technology that is still purposeful in a digital age. The codex, which literally means a block of wood in Latin, is undeviating in its essential form. As an artist his goal is to transform how a book functions outside a linear read for an outdated technology, the codex, becomes something that is new and visually meaningful. From 1975 until 2011, several Artist-in-residence positions and Fellowships all over the United States. Area of Speciality: Since 1979 he began changing the books structure by pushing the physical properties of the book, excavating, folding, gouging and piercing it. His mixed media sculptures primarily use discarded and organic materials. Further Information: - From 1985, curatorial experience for important Galleries in New York and San Francisco - From 1974, one person exhibitions all over the United States and in Toronto - From 1995, Group exhibitions with important curators all over the United States and in Canada.
Professional Training, career: 1961 – 1964 Training in hand bookbinding with diploma. 1965 – 1969 Further professional improvement in Zurich, Aarau, Ascona, Kopenhagen. 1970 – 1971 Studies at the Ecole Superieure Estienne, Paris. 1972 – 1983 Head of the Legatoria Artistica + Atelier Peller, Ascona. 1984 – 2010 Head of the department “Bookbinding and Design”at the centro del bel libro ascona. Current Position: Creative bookbinding and design. Further Information: Since 1974, active member of the International Federation MdE, Master in artistic bookbinding - Winner of several national and international contests - Member of the SFB jury, since 2000 recipient of the award of the SFB.
Professional Training, Career: 1987 Degree in Fine Binding from EOMMEX, the Hellenic Organization of Small and Medium sized Enterprises and Handicraft. 1993 + 1996 Bookbinding and Book Conservation courses at centro del bel libro ascona. 1988-1995 Responsible for the Book and Paper Conservation Department, General State Archives in Corfu, Greece 1995-1999 Employed at the State General Archives of Greece in Athens. She worked on a variety of conservation techniques, as she practiced on rare parchment and paper manuscripts, books, maps, drawings and engravings, many of which dating back to the 14th century. Current Position: Since 2000, she has been running her own bookbinding studio, where she carries out bookbinding, gold tooling and book conservation. Area of Speciality: Innovative book structures and methods to incorporate metal with the bookbinding traditional and modern materials. Further Information: In 2009, she worked as a member of the team of St. Catherine’s Monastery Library Conservation project at Mount Sinai, led by Ligatus and the University of the Arts London. She has been teaching courses in Fine Binding at the National Book Centre in Athens and at Athens School of Fine Arts. Many bookbinding exhibitions and competitions in Greece and abroad where she won many awards in international competitions, such as the 1st price in the 4th Prix Paul Bonnet 1992 (centro del bel libro) and the 1st price in Finde Binding by the Society of Bookbinders, Durham. Publications: Contemporary Designer Bookbinders, The Oleander Press, England 1995. Bookwords edition, Anness Publishing Ltd. USA, 2000. Professions that survived time, Greek and Dutch Publication, Topio, Greece 2009.
Professional Training, Career: Degree at the Ecole Nationale Superieure des Arts Visuels de la Cambre, Bruxelles. Lecturer in bookbinding at the Institute Paul Hankar, Bruxelles (formerly Arts et Métiers). Lecturer in bookbinding at the Académie des Beaux-Arts de Saint-Gilles, Bruxelles. Reader for courses in gilding and in the history of bookbinding, ENSAV la Cambre, Bruxelles. Lecturer of the Fédération Wallonie-Bruxelles (Fine arts). Current Position: Freelancer in bookbinding and gilding by hand. Further Information: Several conferences on the history of bookbinding, the decoration, the titration and the bookbinding techniques in Mariemont, Bruges and Bruxelles. Member of various Bookbinder jurys. Curator of the exhibition "Papier autour et alentours" WCC-BF, Mons. His own creations were exhibited in various public and private collections in Belgium and abroad (BNF, Musée de Mariemont, Bibliothèques Sainte-Geneviève, aso.). He participates in numerous exhibitions in Belgium and abroad.
Professional Training, career: - Apprenticeship as a bookbinder - Professional development. Current Position: Since 1978 freelance bookbinder in his own workshop. Area of Speciality: - Fine bindings - Bookbindings in maroquin box and calf skin - Flexible bindings - Numerous international exhibitions.
Professional Training, Career: 1977 – 1979 Certificate and Diploma in bookbinding at Camberwell School of Art and Crafts. Since 1979 Freelance bookbinder. Since 1983 Bookbinding tutor at Roehampton Institute (University), London. 1994 – 2001 Full-time Programme Convener for the BA Calligraphy and the BA Bookbinding programmes at Roehampton Institute. 1999 Study of Coptic bookbindings, The British Library, London. 2001 – 2005 Bookbinding tutor at The City Literary Institute, London. Current Position: Since 1979 freelance bookbinder. Further Information: A summary of her study of the Coptic bookbindings has been published in „The New Bookbinder“, Volume 21 (2001). In September 2009 her book, „Fine Bookbinding: a technical guide“ was published by The British Library and Oak Knoll Press. She is a founder member of Tomorrow’s Past and exhibits regularly with the group.
Professional Training, career: After earning a Bachelor of Arts degree in Photography and Cognitive Science, Kylin dedicated seven years to working for and learning from master bookbinder Daniel Kelm in Massachusetts, USA. In 2007 Kylin established her own studio producing small editions of artist books and fine press books. Current Position: Kylin Lee Artisan Studio – Hand bookbinding and specialty Enclosures. Area of Speciality: Innovative book and box structures utilizing a wide range of traditional and modern materials. Specialty box and packaging design.
Professional Training, Career 1992-1996 Bookbinder apprenticeship at Martin Suter’s Bookbindery, Zurich 1997-1998 Bookbinder at the Atelier du livre, Bern. 1998-2001 Advanced training courses in bookbinding and design and book-and paper conservation at the centro del bel libro, Ascona 1999-2000 Bookbinder in the Sample Making and Facsimile Department at the Bookbindery Burkhardt AG, Mönchaltorf 2001-2002 Internships abroad at the Folger Shakespeare Library and Library of Congress in Washington, D.C. 2002-2003 Exam preparation and graduation as a certified Master Craftsman, Munich 2003 Founded own Bookbinding Studio (book + bind) in Zurich Assistance by the formation of the library Foundation for the Animal in the Law, Zurich 2003-2005 Bookbinder at the Central Lucerne and University Libraries 2005-2013 Bookbinder / Assistant Head of the Conservation Department at the Central Library in Zurich 2013-2014 Book-and paper conservator at the studio Martin Strebel AG, Hunzenschwil Current Position Bookbinder and Conservator at the book + bind studio, Zurich Librarian for the Foundation for the Animal in the Law, Zurich Area of Speciality Book restoration and reparation Bookbinding design with varying materials and techniques Further information Since 2003 active member at the centro del bel libro Technique Department and responsible member for school visits. Participant in various bookbinding competitions and exhibitions for craftsman (FREMAA, FR). 2008-2010, member of the Book and Form (Buch und Form) group.
Professional Training, Career: Privat lessons with Hedi Kyle, Professor at The University of the Arts, Philadelphia. Lessons at The College of Contracting, Leksand, Sweden. Lessons at The College of Bookbinding, Leksand, Sweden. Painting at Domens Art School, Sweden. Painting (extension course) at The Falkenberg School of Art. Art at Wik’s People’s College, Sweden. Studies of historical techniques in Swedish and foreign archives. Professional experience: Libreria del Vaticano in Rome, The East Asian Museum in Stockholm, Carolina Rediviva University Library in Uppsala, Rosenlöfs printing museum in Kungsgarden, The Värmland County Archives in Kirstinehamn, The Tallinn. City Archives in Tallinn, Estonia, The Basel Paper Mill in Basel, Switzerland, The Grycksbo Handpapermill in Sweden. Current Position: She has her own studio in Dalarna, Sweden. Further Information: Through her publishing company, Langwe Form, she publishs books on bookbinding and paper. In her second book, Limp Bindings from The Vatican Library, she encourages an exciting fusion of the new and the old.
Professional Training, career: Training at the „Ecole de Recherche Graphique“ in Brussels, Belgium. Special field: graphic design for publishers and presses. Current Position: Employee at the „Atelier du Livre de Mariemont“ - Lecturer at the „Institut Saint-Luc“ (Art College). Area of Speciality: Specialist for synthetic materials used for books - Collaboration with publishing houses in the field of pop-up and animated books.
Professional Training, career: 1997 – 2000 Apprenticeship in bookbinding in Hamburg. 2001 – 2003 Further education as a handicraft designer at the Craft Academy for Design in Kassel. 2003 – 2004 Stay in New Zealand / Cooperation with various bookbinders. Current Position: Since 2005, free-lance book and paper designer in own workshop. Area of Speciality: Adhesive-free bindings - Book constructions - Magnetic clasps. Further Information: Further education in the centro del bel libro ascona. Competitions: 1st Prize in the category Special Works of the Youth Bookbinding Competition of the BDBI (Federation of German Bookbinder Guilds) 1999 - 1st German Federal Winner 2000 “good form in craft” - Prize of Appreciation Hessischer Gestaltungspreis 2002 - bel libro 2009.
Professional Training, Career: 1981 MA in Fine Art from the Slade School of Fine Art, University College, London. 1999 1st Class Honours Degree in Packaging Design from Cranfield University, England. Current Position: Since 1982, professional artist specialising in the cutting and folding of paper. Further Information: He has run „Sheet to Form“ workshops and projects in more than 50 Colleges of Design across Europe and beyond, for students as diverse as fashion, textiles, ceramics, bookbinding, architecture, jewellery and product design and has run seminars and workshops for many design-based companies and groups of designers. He has also been a consultant for companies such as Nike and Disney. His book „Folding Techniques for Designer“ (2011) is translated into 11 languages and is a best seller. His folded artworks have been widely exhibited.
Professional Training, Career: Education in designer bookbinding at the Atelier du Livre, Mariemont. Numerous training courses with the best international bookbinders. Current Position: Higher education art teacher specialized in the training of art teachers. Further Information: In the last twelve years, she participated regularly in exhibitions organized by ARA, APPAR and Designer Bookbinders. She was selected to take part in the Ephémères exhibitions organized at the Wittockiana (Brussels) and in Paris (Amis de la Reliure Originale). Her decorated papers and bindings were exhibited in Tournai, Peruwelz, Brussels and Liège. She has taught numerous courses on decorated paper in Belgium and France, in different schools and public institutions (Mariemont, la Cambre, Le Vésinet, aso.) as well as in various private bookbinding workshops. Some of her bindings were acquired by the Mariemont Museum, the Wittockiana and private collectors. First prize at the 2010 International Bookbinding exhibition in Vilnius. First prize at the 2013 Louis Jou bookbinding competition in Les Baux-de-Provence.
Professional Training, Career Born in Hungary, Sün Evrard has lived and worked in France since 1971. Between 1972 and 1976, she studied bookbinding, gold tooling and book design at the Ecole de l’Union des Arts Décoratifs in Paris. Current Position She has worked as a designer bookbinder since 1978. Teaching has always been part of her activities, first at the school where she studied, then at the Atelier d’Arts Appliqués du Vésinet. Though she gave up regular teaching a few years ago, she still gives lectures and masterclasses abroad, in English, French and Hungarian. Area of Speciality In the past few years her work has mainly been oriented towards book-friendly design-bindings for antiquarian books using a bookstructure she developped: the staple binding. Further Information A solo exhibition of her design bindings was shown in the Historical Library of Paris in 1995. An illustrated catalogue was published at this occasion. She was initiator of the artist-book group exhibition “containers for intragrammes”, currently in the collection of the Mariemont Museum in Belgium. She takes regularly part in artist-book exhibitions in France and abroad. She was one of the nine founding member of the AIR neuf mouvement which curated exhibitions in France, Belgium and the USA. She is co-author, with Annie Persuy of a bookbinding manual, “La reliure”, published by Denoël and later translated into German and Spanish. Her Website: http://pagesperso-orange.fr/sun.evrard/index.htm
Professional Training, career: Commercial training - Training in calligraphy and miniature painting, experimental calligraphy, Gilding and painting - Bookbinding. Current Position: Free-lance in calligraphy - Teaching courses in calligraphy. Area of Speciality: Calligraphy combined with painting and experimental calligraphy - Writing of books - Writing of calligraphic text and illustrate it, then binds to a book.
Professional Training, Career: Ba in Fine Art from Goldsmiths‘ College. Diploma in Fine Bookbinding and Conservation from Guildford College of Further and Higher Education. Current Position: Since 2009, she is a partner in Benchmark Bindery with Kathy Abbott, to produce high quality and intelligent bookbinding work. Area of Speciality: Tracey Rowledge’s practice is diverse, involving bookbinding, fine art and the applied arts. Further Information: She is a founding member of „Tomorrow’s Past“, an international bookbinding collective. She is also a founding member of the independent artists group 60/40, which was formed in 2008 with the ceramicist Clare Twomey and the silversmith David Clarke, to expand the environment and opportunities for the applied arts.
Professional Training, Career: 1983 Diploma in Science - Liceo Scientifico G. Ferraris, Varese. 1985 Participation at courses in art history - Ecole du Louvre, Paris. 1988 Bachelor in modern literature, with final work of medieval and modern art history, humanities and philosophy, University of Milano. 1989 Three-year specialization with graduate degrees in conservation and Restoration of cultural heritage - "Former Convent of the Trinity",Botticino,Brescia. 1996 – 2011 Various training courses and seminars in the ambit of conservation and restoration, mural paintings, protection of cultural goods, restoration of paintings, etc. in various cities of Italy. Since 1993 Cooperation with Axa Insurance as an art historian and conservative restorer. 1997 – 2003 Teaching and consulting in the ambit of conservation and restoration at SUPSI, Lugano. Current Position: In 1983, she founded the Research Centre for Conservation and Restoration in Varese which she directs until the present day. Activities for the Archbishop of Milan, religious institutions, galleries and private persons in the field of conservation and restoration of protected goods of the architectural and historical heritage. Further Information: Various publications. Since 2011, an active member of ARI, Associazione Restauratori d'Italia. Since 1995, an active member and for two years Vice President at Soroptimist International, Varese. Since 2009, active member and Culture Consultant at Italia Nostra, Section of Varese.
Formazione, Carriera professionale 1988–1991 Formazione quale rilegatrice 1991–1996 Studi presso l’Università d’arte e design Burg Giebichenstein, Halle (D), nel settore della pittura / libri 1996 Diploma 1996 Borsa di studio per tre mesi presso il Centro del bel Libro, Ascona, Svizzera (CH) 1997–1998 Borsa di studio per nove mesi presso Naoaki Sakamoto, Tokio (J) 1998–2012 Libera professionista quale artista di libri a Tokio, (J) 2012–2014 Vive e lavora a Berlino (D) Attività Dal 2014, Veronika Schäpers vive a Karlsruhe (D), dove lavora da indipendente. Specialità Veronika Schäpers è senza dubbio una delle protagoniste dei libri artistici contemporanei, che si lascia caratterizzare quale creazione visiva. Si occupa delle forme di libri come la forma codex classica, la pergamena, il leporello fino all'oggetto. Finiture elaborate con vari materiali come la plastica moderna, stampati con stampanti a getto d’inchiostro, materiali tradizionali giapponesi. Quale rilegatrice esperta, Schäpers produce anche delle rilegature delicate. Grazie alla sua lunga permanenza in Giappone, in molte delle sue opere si rispecchiano la cultura e la vita quotidiana giapponese. I libri di Schäpers accennano nella stessa misura all’intelligenza ed ai sensi, diventando così un'esperienza molto speciale per lo spettatore.