This course is all about the “Edelpappband” or the German paper case binding with a continuous end sheet fold (also known in North America as the “millimeter” binding) (max. dimension A6-A7). Case bindings with decorated paper covers are treasured among bibliophiles and are eagerly sought and collected. The instructor will give insight into the rich tradition of this binding style and will show how it can be interpreted in a contemporary context. Demonstrations will include how to use leather to reinforce the head, tail, corners and/or fore edges of the book.

Be creative, mix different techniques and think outside of the box! We will use established techniques (such as monotype, paste, spatula and batik) in new and surprising ways to create beautiful and experimental papers. This course will allow participants to create unusual and original work and explore the world of decorated papers.

This workshop will be all about designing, planning and constructing box forms. We will start with basic rectangular forms and move on to pyramidal, hexagonal and other shapes. We will learn how to plan, measure and cut basic geometric shapes using a compass and ruler and make templates for making precise cuts on the board cutter.

Here is your chance to learn more of Hedi Kyle’s well-known and well-loved book structures! Hedi Kyle’s exceptional work moves fluidly between historical and contemporary forms. In this course we will learn about, construct and reinterpret many new structures using a variety of suitable materials. Using ingenious folding, cutting and sewing techniques, we will make structures from leporello to codex in a multitude of variations.

Just as with any artwork, the book as an object is capable of expression, provided there is a cohesive relationship between book-binder and the book’s contents. This course will focus on the collaboration between each book-binder and the work of author/artist Phil Day. Each collaboration will result in a book that is a unique response to the original lithographs (specifically composed as leaves to be stitched and bound for this course) by Phil Day.
Each participant will own the copy which they have stitched and bound. The book is limited to an edition of 12 copies.

These are two structures devised and refined by Lori Sauer. Both have multiple applications and unique characteristics:

The Pompidou
This elegant and unusual binding begins with a text-block that includes vellum extensions sewn to the outside sections. These extensions are cut into straps that alternately interweave and fold back on themselves, forming a hollow. The boards can be covered in a variety of ways that reflect the geometry of the structure. The results are a very strong, solid book with many opportunities for the introduction of subtle and imaginative design.

This workshop will provide an introduction to the book in the first millennium C.E., focusing on early examples of the multi-quire codex. Participants will look at the development and transmission of both structural and decorative features from Egypt, to European and Islamic binding traditions. This is a subject of great importance to both book conservators and book binders.

The workshop will include:

Short morning lectures on the development of the codex during the first millennium, including the development of different binding structures and techniques of decoration;

The Sewn Board Binding is a relatively new binding technique in which the book opens very well, even with a lined spine. The look is contemporary and the book is finished without a visible joint between the cover and text block. This structure gives the book an interesting feel and exceptional flexibility, even with standard thickness boards. We will finish one leather and cloth bound book, completed with a stamped title.

How can I mend a paper tear or loss, how can I repair a partly loose spine, which adhesive do I use and how do I proceed with brittle pages? Working with books is regularly confronting us with all kinds of damage patterns. Some of this damage needs fast and solid treatment to ensure the further use in a library or archive.

This course is the second part of the well-loved topic: 'Ten clever book structures'.
Another five techniques - contemporary, simple and original - will be studied and realized in these four days. The main focus is the technical knowledge behind the exact construction of these binding styles. We will also encourage freedom for discovery and development of our own creativity.